Tag Archives: sewing

gathered sundress in winter

Of course you make summery dresses in the dead of winter! Why wouldn’t you?

I think a core reason I’ve been knitting so much lately, is the overwhelmingness of my current pile of half-finished sewing projects – none of which have been calling my name lately. The one project I got excited about, was the Gathered sundress by Pattern Runway. And, I had some lovely cotton/silk that I always planned on making into the perfect summer dress, so it seemed like a good match.

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I’ve shared some snippets of this fabric and the making of the dress in several recent posts, and I’ve really been taking my time (and now that I’m finally ready to share, I feel like I have so much to say about this dress!). I’ve come to realize that part of the reason I sew is to do it as neatly and well made as possible. That might not be the driving desire for other people who sew, and that’s ok. But it is a driving force for me, where I really enjoy the process, and adding little construction details wherever I can and want. Of course this means this dress took much longer to finish than I thought – especially when you add the part where I was careful during the cutting process so the pattern would match up, and the part where I decided to have the side front panels and the inside of the pocket cut on the bias.

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I was inspired by Oona’s delightful lace insert version of this dress, where she made some of the panels contrasting. With this kind of busy, but still orderly pattern, I thought it might help to do something similar to break up the mass and create a differentiation. That was also the thought behind the deliciously colored piping I made for the belt and the pockets (my tips for making and using bias tape is right here). I’m not sure it was a roaring success – this print pattern looks much more busy from a couple of yards away than it does up close, so the fabric hides some of the details and lines until you’re quite close. I’m not super comfortable with prints to begin with, so I might be a little biased and feeling in unfamiliar territory here!

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Like I mentioned, I did enjoy adding a lot of touches to the construction of the dress, and a lot of them is due to the sheer and thin nature of the cotton/silk printed fabric:
· Using iron-on stay-tape along pretty much all curved edges, both on the lining fabric and the self fabric. (seen in this post)
· Edgestitching the seamallowance to one side to add some heft and structure to the seams. I was afraid that the light fabrics might not feel substantial enough for a dress of this style, and adding more seams in form of edgestitching, top-stitching, and piping helped with support.
· Backing the bias cut side panels, the belt, and pockets with straight grain organza, so they wouldn’t be completely bent out of shape. I figured the pockets would feel more solid and sturdy (but still light!) with the organza as well.
· Binding the raw edges of the pocket with more of the same green-yellow silk dupioni I used for the piping.
· With the patterned fabric beeing lighter and more see through than I was expecting, I lined the skirt as well for a full lining in a cotton voile. This changed the construction a bit – I sewed the lining as a full separate piece, but to keep the layers together, and again, add stability and a little more heft, I sewed together the seam allowances of the top belt seams on both the lining and the patterned fabric. It’s a technique also used in lined jackets, to keep the outer and inner layers of the collar moving as one!
· As for the fit, I did shorten the bodice by a good inch or so, which seems like a common alteration for this pattern. I also added some width at the princess-seams after a bodice muslin, and pinched off a little on the back pieces for some neckline gaping. I may or may not have overfitted a bit. I intentionally kept the fit a little looser – I wanted an easy, effortless dress, but that doesn’t define the waist as much as this style of dress usually does.
· Finally, not a construction note, but worth mentioning: I had some weird and random problems with these fabrics. I swear I cut out the exact sane patternpieces of the voile and the cotton/silk, handled them with extreme care, and interfaced the edges to prevent stretching out. And yet, sewing the lining to the self fabric along the armholes had me looking at over an inch to ease in on a 6″ stretch! (picture above) I also had an issue with the hem not matching up in a way I can’t even explain, despite being super careful matching everything up while cutting and sewing! To a perfectionist as myself, this was most maddening.

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The sheer fabric also means that the seam allowance shows up, especially having interfaced them first! I trimmed down the seam allowance on the princess seams as much as I could get away with, but a better idea might have been to underline everything instead. Hindsight is 20/20, but I really think I’m going to like and wear this dress, and I do consider that a success – even if it might not have come out as awesomely as I was picturing.

I did have some pretty high hopes for this one – I might have been expecting too much! It’s funny to see a similar sort of feeling discussed by Tasia quite recently – that even if, as a non-sewer I talked to recently put it, we can make things any way and exactly how we want it, not every project is an absolute success. Maybe I didn’t choose the optimal pattern for the fabric or vice versa, maybe I didn’t choose the best combination of fabrics, and maybe I didn’t choose the ideal construction methods at every point. I do feel some pressure to absolutely love everything I make (though I’m not sure to what degree that pressure is external or internal, or some combination of the two). I think I will try to simply accept this as a piece in my wardrobe, and that it doesn’t have to be “the perfect garment” all on its own. If it’s a garment that fits, and I’m happy to wear, that’s a lot just by itself.

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around here

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There is a little delay in my “around here” this week, since I just got back from a long weekend in Italy! It’s olive-picking time, and my family’s estate cabin has an olive grove that warrants a yearly small gathering of people willing to rake olives out of the trees. It happens with a net underneath, and little rakes on sticks that you use to comb the branches of olives so they fall into the net. Then you gather the net and dump the fruits into baskets, which you finally take to an olive pressing place, that presses the oils out of the pits and gives you jugs of peppery green olive oil. And then you get to enjoy the fruits of your labor! Good fun, and good work.

We were lucky to have some really lovely weather while we were there, as you can see from my bare-armed (wool!) olive picking-outfit. That’s my dad in the background, for a contemporary and alternative spin on American Gothic. Other activities included knitting of course, fires in fireplaces in the cool evenings, and loads of cheese and bread and wine. And now we’re back to the daily life, which for me includes hopefully soon finishing that dress I was cutting and prepping last week.

around here

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It is very much so fall. It’s a season that can be breathtakingly beautiful, but it can also be mushy brown leaves in a puddle of rain and discarded trash. I’ve been trying to find the charming pieces of fall this week, in between a couple of sick days and a whole lot of knitting. Knitting equals fall, right? Especially cables and tweed and woolens.

I’ve been clued in to a farmer’s market that happens every Thursday in the university area of town. It’s hugely popular – to the point of people sitting and waiting before the guy even arrives! – which is funny, since it’s just one farmer with his goods. But the carrots and the cauliflower are the best I’ve tasted, and this week I even scored tomatoes and broccoli (it’s usually pretty picked over if you don’t show up right at the start). I feels so good about buying and eating things that were pulled out of the ground a few days ago, a few miles away.

This week I’ve even worked on a sewing project, which has been a while since. Of course, I’m complicating things by thinking about changing the construction and cutting things on the bias, but I’m happy to finally be working on this dress, and the fabric is dreamy (and a little crazily patterned for my usual self, but comfort zones needs to be challenged!). And the yarn for my Geithus lace knit top sample arrived! It is gorgeous, and fantastically soft.

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It is most definitely not summer here in Bergen anymore; howling winds, daily downpours, rainboots everyday, and you break out the *big* umbrella (not the little one that lives in your handbag). Right on schedule!

I just had a picture I wanted to share! John took it earlier in the summer, as I was plugging away at a wedding dress while at work. This is actually what most of my summer looked like (except the part where I’m being photographed sneakily through windows, which is only creepy if it isn’t your boyfriend doing it).

I’ll soon be back with a wardrobe post, as soon as I take the time to photograph the last sweater!

tiny pocket tanks

I made myself another tiny pocket tank! I loved the first one so much and found it so versatile, I knew I just had to make another as soon as possible. And I did, and just now got around to getting the man to take some pictures of me wearing it. It’s gotten tons of wear, just like the first, printed one – I’m finding it a definite staple in my wardrobe, and I especially like the shape of it – the neckline shape, the shape of the straps, the shape of the hem, et cetera. Staple I tell you, staple!

Remember Me-Made-May? The printed tiny pocket tank was by far the self-made garment I wore the most:

For being a graphic, tribal-looking print, I’ve found lots of uses for it! It’s a bit out of my comfort zone to have patterned clothes, but I think since the shape is so simple, it works really well as building block.

And can we talk about this jacket for a little bit (which pairs really well with the tanks, as both of the pictures above proves)? I’ve always admired the way people like Kendi of Kendi Everyday or E. of defunct but awesome Academichic wears blazers with anything and look smashing. I’ve come to realize that while the traditional blazer-shape doesn’t necessarily work for me, this seersucker- like, 3/4 sleeve, collarless jacket in fact, does. It’s structured without being stuffy, and dressy without being serious. And, it takes a perfectly basic (albeit a very well-shaped basic) tank top up a notch if I need it, and that I approve of.

Now, I think perhaps the next tiny pocket tank will have an actual tiny pocket on it. Maybe a nice, matte silk would be nice? Ooo, yes I think so!